Bibliography

Georg Bocskay, Mira Calligraphiae Monumenta: A Sixteenth-Century Calligraphic Manuscript Insribed by Georg Bocskay and Illuminated by Joris Hoefnagel (Malibu: John Paul Getty Museum, 1992).

Hugh Raffles, Insectopedia (New York: Vintage Books, 2010), pp. 3-11, 123-140.

James Elkins, “On Visual Desperation and the Bodies of Protozoa,” Representations 40 (1992), pp. 33-56. 

Janice Neri, “Cutting and Pasting Nature into Print: Ulisse Aldrovandi’s and Thomas Moffet’s Images of Insects,” in The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (Minneapolis: University of Minnesota Press, 2011), pp. 27-73. 

Koreny, Fritz, Albrecht Dürer and the Animal and Plant Studies of the Renaissance (Boston: Little, Brown, 1988). 

Lee Hendrix, “Joris Hoefnagel and the Four Elements: A Study in Sixteenth-Century Nature Painting.” Ph.D. dissertation. Princeton: Princeton University, 1984.

Lee Hendrix, “Of hirsuits and insects: Joris Hoefnagel and the Art of the Wondrous,” Word & Image 11.4 (1995), pp. 373-390. 

Lee Hendrix and Thea Vignau-Wilberg, Nature Illuminated: Flora and Fauna from the Court of the Emperor Rudolf II (Los Angeles: John Paul Getty Museum, 1997).

Thomas DaCosta Kaufmann, “The Mastery of Nature,” The Nature of Imitation: Hoefnagel on Dürer (1986-1987).

Thomas DaCosta Kaufmann, “The Sanctification of Nature,” The Nature of Imitation: Hoefnagel on Dürer (1986-1987).