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Browse Items (9012 total)

MSS059_IWC_Rushdie_pins001.jpg
3 circular "campaign-style" buttons - black and white (some with a little red), say "We are Salman Rushdie"

MSS059_IWC_LSL_cover_mockups_001.jpg
Mock-up for the cover of the Literary St. Louis book

MSS059_IWC_LSL_Gass_drawing.jpg
Gass drawing/diagram of LSL entries

MSS083-VIII-1-a-Lawrentian-1991-cover.jpg
Lawrentian, vol. 56 no. 1. This issue of the Amherst alumni magazine features a cover story on poetry entitled "The Uncertain Future of Poetry" that contains an interview with James Merrill.

MSS083_VIII-3_magic_fishbone_19370811.jpg
Program for the "Jimmy Merrill Marionettes" during which he performed "The Magic Fish-bone" in an ambitious production of the Charles Dickens children's story, which Merrill staged at age 11. Puppets always fascinated Merrill, and he created his own…

Merrill_Voice_From_Sandover_A_Dramatic_Reading_Flyer_23967706_001.jpg
Flyer for a dramatic reading of Voices from Sandover at UCLA. This was a stage adaptation of Merrill's Ouija board epic, which Hooten and Merrill toured for one-night performances in New Jersey, Los Angeles and Detroit.

MSS083-VIII-3-The-Image-Maker-Advertisement.jpg
Flyer advertisingThe Image Maker, a one-act verse play for two actors about Santeria, the syncretic art and religion of the Caribbean. The play featured Hooten, puppets, and a subtext about James Merrill's mother.

Subseries_VIII-2_Clippings_Semi_Colon_vol. 1_no.jpg
A mimeographed literary magazine published by John Bernard Myers, who printed the first books of John O'Hara, John Ashbery and others. It includes "Three Sketches for Europa" by James Merrill and the short story "Kritik K. and the Chateau" by David…

Subseries_VIII-3_Advertisement_for_the_Feb_15_1955_opening_of_The_Immortal_Husband -001.jpg
A mailer advertising the opening of The Immortal Husband, including an order form and a laudatory statement by Tennessee Williams.

Subseries_VIII-3_Program_for_The_ Artists_Theater_ including_The_Bait-001.jpg
Program for "The Artists Theater," including "The Bait," a one-act play in which James Merrill incorporates psychoanalysis. Merrill first met David Jackson after a performance.
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