Browse Items (9012 total)

William Gaddis discusses the disintegration of reading during a 1981 question and answer session at Bard College.

Robert Creeley discusses the folly of seeking meaning in poetry.

During a lecture on "Poetry and Magic," Robert Creeley discusses an experimental gathering--assembled by psychologist Timothy Leary--intended to examine the voices of Federico Garcia-Lorca's three poetic types.

Robert Creeley reads and discusses his poem "The Door" in connection to Charles Olson's idea that poets "do what [they] know before [they] know what [they] do" during a lecture for his "Poetry and Magic" series. Herein, Creeley compares poets to…

Robert Creeley discusses the connection between Erich Neumann's concept of "the mouth" and his own poem "The Language" as part of his "Poetry and Magic" lecture series.

For piano, 4 hands.
"Op. 92"--Caption.
"Copyright 1885 by Frank W. Meacham ; copyright renewed 1912 by Cora Meacham."--Bottom of p. 2.
T.p. ill. signed "Starmer": four panels including a sailor with a rifle, a soldier with a rifle, a battle at sea…

For piano.

For voice and piano.

Robert Creeley reads from his beautiful 1971 radio play, "Listen". The play was first published in 1972 by Black Sparrow Press, in an edition containing monoprints by Bobbie Creeley. A recording of the play was also released by Black Sparrow in 1972.…

Robert Creeley reads from his beautiful 1971 radio play, "Listen". The play was first published in 1972 by Black Sparrow Press, in an edition containing monoprints by Bobbie Creeley. A recording of the play was also released by Black Sparrow in 1972.…