Browse Items (151 total)

"Amherst Bard wins Holyoke Poet Award" from THE JEFF. Merrill won the prestigious Glascock Poetry Prize for "The Broken Bowl," "The Formal Lovers" and "The Black Swan," all written in Kimon Friar's class. This win was a harbinger of many awards to…

"Among the Cottagers at Southampton," an article including a photo of and caption on "Master Jimmie Merrill." Merrill most often pictured Southampton and "the Orchard" when he thought of "home."

This entry includes two typescript draft pages (among the 40 worksheets Merrill saved) with holograph corrections and drawings showing his "engagement in verbal self-analysis" and reflecting "the intimate, brooding voice in Merrill's notebooks." The…

Published inBraving the Elements,"Days of 1935" was a fantasy narrative about being kidnapped as a boy, à la the "Lindbergh baby," reflecting a real fear the wealthy had after the kidnapping and death of Charles Lindbergh's infant son, in…

Published in Late Settings, "Days of 1941 and '44" recalls Lawrenceville School and Merrill using his diaries to become a "poet of memory." The poem is dedicated to David Mixsell, his arch-nemesis at Lawrenceville, who would die in Europe in World…

"Days of 1964" was published in Nights and Days. Included here are two typescript draft pages (of a total thirty-two manuscript pages) with holograph corrections, drafts, and sketches. The poem documents his life in Greece and love for Strato…

Various drafts of "Days of 1994," the fifth in James Merrill's "Days of" series, completing his homage to Greek poet Constantine P. Cavafy. "Days of 1994" revolves around approaching death and what he will leave behind. Included here are five of a…

James Merrill's poem "Death Masks" from an issue of the Lawrenceville publication The Lit. The poem is a dramatic monologue spoken by a man who sells death masks made from the faces of artists.

A three-page draft of an unfinished, untitled poem from winter 1992 addressing Elizabeth Bishop. It is an "uncharacteristically awkward" but powerful poem about "raw life" prevailing over "graceful art."

This typescript draft page (one among 265 draft pages) centers on James Merrill comforting Psyche (and himself) over her (and his) realization of the limitations of love and self-knowledge. "From the Cupola" was published inNights and Days.See also…