A clip from James Merrill's play The Image Maker. The production was performed by both live actors and marionettes. In this pivotal monolgue, one of the play's puppets, Miguel, challenges his creator, The Image Maker.
James Merrill reads "The Pruned Tree" by Howard Moss (poetry editor of the New Yorker and friend of Merrill's) and "One Art" by Elizabeth Bishop at the first James Merrill Symposium.
Excerpt from Voices from Sandover, a play by James Merrill based on Merrill and David Jackson's Ouija board seances. The performance was staged at the Agassiz Theatre at Radcliffee College, produced by Peter Hooten, and directed by Joan Darling. The…
Early artwork done by James Merrill. These cutouts of dancing ladies show a lifelong affinity toward drawing the female face and form, especially sophisticated, beautiful women, often in costume.