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Our exagmination round his factification for incamination of Work in progress
"Dante…Bruno.Vico..Joyce" essay in Our Exagmination Round His Factification for Incamination of Work in Progress. Paris : Shakespeare and Company, Sylvia Beach, 1929. Containing Beckett's first published text, "Dante…Bruno.Vico..Joyce,"…
Play corrected typescript
First of ten corrected typescripts at Washington University. Play presents a man, his wife and his mistress as heads sticking out of urns, taking turns under a spotlight as they recount the discovery and aftermath of an affair, over and over.
Proust
First edition of Beckett's critical study of Marcel Proust's A la recherche du temps perdu. The publisher, Charles Prentice, was the first to "discover" Beckett, and became a leading early supporter who also published More Pricks Than Kicks.
Staging Typescripts: Play and the Samuel Beckett papers : a senior honors thesis
A staging of two unpublished versions of Samuel Beckett's short work Play, based on materials from Washington University's Special Collections. Performed on February 8, 2014 at the A.E. Hotchner Studio Theatre, Mallinckrodt Center, Washington…
The European caravan : A Critical Anthology of the New Spirit in European Literature
Anthology compiled and edited by Samuel Putnam
The Unnamable typescript
Original, corrected typescript of Beckett's translation of his 1953 novel, L'Innomable, third in the trilogy, for Grove Press, published in 1959.
This Quarter : Surrealist Number
v.5:no.1 (1932: Sept.) Surrealist number of the journal which includes poems by Andre Breton and Paul Éluard "rendered into English" by Samuel Beckett.
Thorns of thunder : selected poems / Paul Éluard
Beckett contributed translations of Paul Éluard's poems for this book, which also included translations by Man Ray and a drawing by Pablo Picasso. Edited by George Reavey.
Va et vient autograph draft
Autograph draft for the "dramaticule," Va et Vient.
Warten auf Godot annotated by Beckett
Beckett's personal copy, which he used when called to Berlin to consult on a German production of the play, in February 1965. Extensively corrected and annotated in Beckett's hand.