Notes

1: Jill Lloyd, "Emil Nolde's Drawings from the Museum Für Völkerkunde, Berlin, and the 'Maskenstilleben 1-4."The Burlington Magazine 127, no. 987 (1985): 382.

2: Jill Lloyd, "Emil Nolde's Still Lifes, 1911-1912: Modernism, Myth, and Gesture." RES: Anthropology and Aesthetics 9 (1985): 38.

3: Lloyd, “Emil Nolde's Drawings from the Museum für Völkerkunde,” 381.

4: Mark Antliff and Patricia Leighten. "Primitive." In Critical Terms for Art History, 223. Chicago: University of Chicago Press, 1996.

5: Antliff and Leighton, “Primitive,” 223.

6: Bernard Meyers, "Alexei Von Jawlensky." College Art Journal 16, no. 3 (1957): 212.

7: Myers, “Alexei von Jawlensky,” 215.

8: Timothy O Benson, ed. Expressionism in Germany and France: From Van Gogh to Kandinsky, 241. Los Angeles, California: Los Angeles County Museum of Art, 2014.

9: Benson, Expressionism in Germany and France, 272.