Browse Items (151 total)

Photo of Richard Howard, a fellow poet, "poetry reviewer and editor with an ornate prose style and caustic wit...Social and generous, with a healthy measure of amour propre." Howard was the dedicatee of "Lost in Translation."

Shirley Baker, Helen Vendler, and James Merrill at "James Merrill: A Life in Writing" symposium at Washington University, Nov. 18-19, 1994. Vendler is an esteemed professor and poetry critic who had been championing Merrill's work at least since…

Stephen Yenser, Merrill's student, friend, correspondent, literary executor, and "ideal reader."

Strato Mouflouzelis, "...the bittersweet muse of [James Merrill's] middle years..."

See also "Days of 1964" manuscripts, November 17, 1964 letter to Daryl Hine and "Violent Pastoral" broadside.

Supplementary Report for James Merrill from Southampton Country School, one of a number of schools he attended due to the Merrills moving between houses seasonally.

Telegram from Charles Merrill to James Merrill, taken from "The Immortal Husband" scrapbook in the James Merrill Papers. The telegram includes advice on how to take failure if the play is not "a hit."

Early artwork done by James Merrill. These cutouts of dancing ladies show a lifelong affinity toward drawing the female face and form, especially sophisticated, beautiful women, often in costume.

A script for James Merrill's play, "The Immortal Husband," an update of the classical myth of Aurora and Tithonus. Included here are twenty of a total sixty-five manuscript pages.

Tom Vitale interviews James Merrill on the program "A Moveable Feast." In this episode, titled "Late Settings," Vitale and Merrill discuss the general themes in Merrill's poems and the emotions behind Merrill's writing process, as well as Merrill's…

James Merrill with Tony Harwood, one of Merrill's first friends at Lawrenceville. The two remained friends, although their friendship became strained as Tony "grew progressively more detached and paranoid."