A poem draft with examples of wordplay, an important exercise for James Merrill throughout his writing life. This entry also contains notes on Ephraim and Cold War nuclear annihilation worries.
Journal 59 includes numerous pages of early holograph notes and drafts toward "The Broken Home," one of which is included here. Merrill's most autobiographical poem to date, "The Broken Home" centered on his parents' troubled relationship. It was…
Journal 50 contains Merrill's last poem draft, called "The Next to Last Scene," scribbled down (without his glasses) the day before he died of a heart attack. It was unusual for Merrill to title the first draft of a poem in his notebook.
Early holograph notes and drafts toward the poem that would become “18 W 11th St.” The poem regards his childhood NYC home, which was accidentally blown up by radicals living there and making homemade bombs in the basement.
"Voices from the Other World," published in The Country of a Thousand Years of Peace, was James Merrill's first--and for many years, only--treatment of the Ouija board séances in a poem. Merrill's supernatural and domestic life with Jackson…
"Under Libra: Weights and Measures," published in Braving the Elements, was dedicated to David McIntosh. Included here are two corrected typescript drafts of the poem. Through this seemingly impersonal poem Merrill realized, with the help of his…
"Tony: Ending the Life," published in A Scattering of Salts, is an "expansive elegy for his friend" (Tony Parigory, who died in summer 1993 of AIDS), "and (it is all but explicit) himself." Merrill had been largely silent about his AIDS diagnosis but…
"The Will," published in Divine Comedies, contains the first mention of Ephraim in a poem, as well as the first time he speaks. In it, Ephraim explains why the novel draft was lost twice--implying that he was involved.