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Browse Items (9012 total)

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Part I: A Legacy of Excellence by Monica C. Lewis Copyright 2000 Part II: A Legacy of Commitment by Michelle A. Purdy Copyright 2007

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Dust jacket of Life Sentences: Literary Judgments and Accounts by William H. Gass, New York: Knopf, 2012.

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Prospectus forListen: A Play by Robert Creeley. Listen is the only produced and published play by Creeley. First published in 1972 by Black Sparrow Press in an edition containing mono prints by Bobbie Creeley. In the same year, Black Sparrow Press…

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Typescript draft of Listen by Robert Creeley. Listen is the only produced and published play by Creeley. First published in 1972 by Black Sparrow Press in an edition containing mono prints by Bobbie Creeley. In the same year, Black Sparrow Press also…

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Autograph [photocopy] draft of Listen by Robert Creeley. Listen is the only produced and published play by Creeley. First published in 1972 by Black Sparrow Press in an edition containing mono prints by Bobbie Creeley. In the same year, Black Sparrow…

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Literary St. Louis: A Guide edited by Lorin Cuoco and William H. Gass,International Writers Centerand Missouri Historical Society Press.Distributed by University of Missouri Press, 2000. Featured articles concerning Stanley Elkin and Howard Nemerov.

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The first scenes of the Sambo story introduce Little Black Sambo’s family to the readers. Violet La Mont’s 1959 edition of Little Black Sambo depicts Sambo and his family as more phenotypically Indian compared to the representations in…

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Little Black Sambo transcends cultures and time periods, yet the racial connotations, often negative, persist through various editions and languages. One version of Little Black Sambo, printed in 1997 in Japan, continues the racial…

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The imageofthe tigerssitting in a circlebeside a tree, each with a piece of Sambo’s clothing, represents many of the cultural representations of black people.Though the dehumanization of the black “other” began centuries ago,…

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This image is from one of the later re-illustrated versions of Sambo. Printed in 1908, the illustrator used Helen Bannerman’s original story with new images for Sambo, which are decidedly more caricatured and therefore more racist than the…
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