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Bibliography

Antliff, Mark, and Patricia Leighten. “Primitive.” In Critical Terms for Art History, edited by Robert S. Nelson and Richard Shiff, 2nd ed. Chicago: University of Chicago Press, 2003.    

Friedel, Helmut, and Annegret Hoberg. The Blue Rider in the Lenbachhaus, Munich. Munich: Prestel, 2000.

Haxthausen, Charles Werner. “Modern German Masterpieces.” Saint Louis Art Museum, no. 1985 Winter Bulletin (n.d.).

Huffer, Lynne. Maternal Pasts, Feminist Futures: Nostalgia, Ethics, and the Question of Difference. Stanford: Stanford University Press, 1998.

Lloyd, Jill. German Expressionism. New Haven: Yale University Press, 1991.

Marks, Steven G. “Abstract Art and the Regeneration of Mankind.” New England Review (1990-) 24, no. 1 (January 1, 2003): 53–79.

Pirsig-Marshall, Tanja. “Otto Mueller and the Brücke: A Creative Dialogue.” In New Perspectives on Brücke Expressionism. Burlington, VT: Ashgate Publishing Limited, 2011.

Posselt, Dieter W. Otto Mueller: A Stand-Alone Modernist. Norderstedt: BoD, 2010.