In this popular poem, Merrill reminisces about the summer of 1937, waiting for and then working on a jigsaw puzzle with his governess, Zelly, and her teaching him "her languages." "Lost in Translation" is often cited as Merrill's greatest short poem.…
Fifteen pages (out of sixty total) ofa corrected typescript draft ofAn Evening at Sandover, Merrill's first stage adaptation of the Ouija board epic, performed as part of the revived Poets' Theatre at Hasty Pudding theater at Harvard. Peter Hooten…
James Merrill and Kimon Friar, Merrill's Amherst teacher and lover. "Short, wiry, and dark, he was a high-minded, charismatic man of letters and an unabashed self-promoter."
Maria Mitsotaki and James Merrill. Merrill's face is bound as a result of Bell's Palsy, an episode recounted in "The Thousand and Second Night" (see also the manuscript pages for that poem).
"[Maria] was pert, pretty, small and sweet...and able…
Tony Parigory and James Merrill. "Tall, smiling, Alexandrian Tony...In his worldly wisdom, off-color jokes, and macaronic bons mots...he resembled none of Merrill's friends so much as Ephraim, the Familiar Spirit."
James Merrill with Tony Harwood, one of Merrill's first friends at Lawrenceville. The two remained friends, although their friendship became strained as Tony "grew progressively more detached and paranoid."
Maya Deren in a still from her film Meshes of the Afternoon (1943). A Ukrainian immigrant, scholar of French Symbolism, progressive activist, avant-garde filmmaker and dancer, "Deren introduced Merrill to spirit possession not as a metaphor, but as a…
Shirley Baker, Helen Vendler, and James Merrill at "James Merrill: A Life in Writing" symposium at Washington University, Nov. 18-19, 1994. Vendler is an esteemed professor and poetry critic who had been championing Merrill's work at least since…