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Strato Mouflouzelis, "...the bittersweet muse of [James Merrill's] middle years..."

See also "Days of 1964" manuscripts, November 17, 1964 letter to Daryl Hine and "Violent Pastoral" broadside.

Judith Moffett, who "...brought a strong moral idealism, sensitivity to the perspective of gay men, and an appetite for literature."

David McIntosh, a disciplined, reserved painter of abstract landscapes who drew a "'firm and gentle line' between love and friendship, and what he wanted was the latter."

Tony Parigory and James Merrill. "Tall, smiling, Alexandrian Tony...In his worldly wisdom, off-color jokes, and macaronic bons mots...he resembled none of Merrill's friends so much as Ephraim, the Familiar Spirit."

Stephen Yenser, Merrill's student, friend, correspondent, literary executor, and "ideal reader."

Mona Van Duyn: fellow prize-winning poet, early champion and good friend of James Merrill, she successfully solicited Merrill's literary papers for Washington University. In this photo she is standing in front of a painting of herself.

James Merrill with Tony Harwood, one of Merrill's first friends at Lawrenceville. The two remained friends, although their friendship became strained as Tony "grew progressively more detached and paranoid."

J. D. McClatchy, an admirer and then good friend of James Merrill's, is an accomplished poet and librettist, professor and critic. He went on to become Merrill's co-literary executor, along with Stephen Yenser.

Richard & Charlee Wilbur, Merrill's Key West neighbors. Richard Wilbur was a fellow Amherst grad and accomplished poet, as well as a longtime friend and supporter of Merrill's work. Charlee Wilbur played matchmaker with Merrill and Peter Hooten.…

Jim Boatwright, a.k.a. "the Colonel," was a professor at Washington and Lee University and editor of the literary magazine Shenandoah. Merrill had gotten to know Boatwright in Athens, although he also lived in Key West. Like Merrill, Boatwright died…