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Beat Streuli : city
Title Description - Beat Streuli photographs passers-by mid-movement and then presents them at a large scale in projected slide shows. This book scales them down, slows them down and contextualizes them with the critical voices of Rupert Pfab and…
Anthony Hernandez : pictures for Rome
Title Description - "Anthony Hernandez’s Pictures for Rome (1998-99), made while he was a fellow at the American Academy, make no reference to any iconic images of that historic city and its famous edifices. Instead, these elegantly disturbing…
Ambiguous divide
Physical Description - In paper wrappers; throw-out accordion-fold format; in a slipcase.
Aesthetic associations
Physical Description - 3 v. : chiefly col. ill. ; 22 cm.
Catalog record.
3/ Slender thread totem [book three]
Title Description - "Koch explores themes of political and personal mythology in making his large-scale photographic assemblages. In this work, the artist translates three of his "totems" into book form. Addressing such issues as the human urge to…
2/ Surplus koan totem [book two]
Title Description - "Koch explores themes of political and personal mythology in making his large-scale photographic assemblages. In this work, the artist translates three of his "totems" into book form. Addressing such issues as the human urge to…
1/ Double caution totem [book one]
Title Description - "Koch explores themes of political and personal mythology in making his large-scale photographic assemblages. In this work, the artist translates three of his "totems" into book form. Addressing such issues as the human urge to…
The Forgotten Forest dust jacket
Dust jacket of The Forgotten Forest, photographs by Michael Eastman and foreword by William H. Gass, New York: Witkin Gallery, 1992
"The Surface of the City" - Photograph Exhibition and Reading Invitation
Postcard invitation to "The Surface of the City" photograph exhibition and reading by William H. Gass.
"Happy Days in Stonington"
This photo album, entitled "Happy Days at Stonington," includes snapshots taken around James Merrill and David Jackson's home at 107 Water Street, along with colorful commentary.