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Manuscripts of "Farewell Performance"

1 Farewell Performance

1) "Eager to face." Pencil. See a transcription at the Transcriptions link in left margin.

1 Verso) Page from Merrill's "Prose of Departure." Additions in pencil.

1 Verso) Page from Merrill's "Prose of Departure." Additions in pencil.

2) "holds us upright." Pencil.

2) "holds us upright." Pencil. See a transcription at the Transcriptions link in left margin.

2 Verso) Page from Rachel Hadas, <em>Form, Cycle, Infinity (1985).</em>

2 Verso) Page from Rachel Hadas, Form, Cycle, Infinity (1985). 

3) "Dread and much self-pity." Red ink and pencil.

3) "Dread and much self-pity." Revisions in pencil and ink. See a transcription at the Transcriptions link in left margin.

3 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

3 Verso) Pages from Rachel Hadas, Form Cycle, Infinity (1985). 

4) "Back the dancers come." Revision in pencil.

4) "Back the dancers come." Revision in pencil.

4 Verso) Page from Merrill's <em>A Different Person </em>(1993<em>)</em>.

4 Verso) Page from Merrill's A Different Person (1993).

5) "Curtain call. 22 viii." Revisions in pencil and ink.

5) "Curtain call. 22 viii." Revisions in pencil and ink. See a transcription at the Transcriptions link in left margin.

5 Verso) Page from Merrill's "Prose of Departure."

5 Verso) Page from Merrill's "Prose of Departure."

6) "Gave you to water's." Revisions in red.

6) "Gave you to water's." Revisions in red.

 

6 Verso) Page from Merrill's "Prose of Departure."

6 Verso) Page from Merrill's "Prose of Departure."

7) "<span style="text-decoration: underline;">Dancers</span>." Revisons in pencil.

7) "Dancers." Revisions in pencil. 

7) Verso. "<em>Dread &amp; self-pity</em>." Revisions in pencil on copy of John Hollander's poem "Looking East in Winter."

7) Verso. "Dread & self-pity." See a transcription at the Transcriptions link in left margin.

8) "DANCERS. 28 viii 86." Revisions in pencil.

8) "DANCERS. 28 viii 86." Revisions in pencil. See a transcription at the Transcriptions link in left margin.

8 Verso) Copy of John Hollander's poem "An Inchstone."

8 Verso) Copy of John Hollander's poem "An Inchstone."

9) "Curtain call." Revisions in pencil.

9) "Curtain call." Revisions in pencil.

9 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

9 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

10) "clapped. The house lights."

10) "clapped. The house lights."

10 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

10 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

11) "FAREWELL PERFORMANCE. 29 viii." Revisions in pencil and ink.

11) "Farewell Performance. 29 viii." Revisions in pencil and ink. See a transcription at the Transcriptions link in left margin.

11 Verso) Page from Merrill's "A Class Day Talk" (1968).

11 Verso) Page from Merrill's "A Class Day Talk" (1968).

12) "FAREWELL PERFORMANCE <em>for DK</em>." Revisions in pencil.

12) "Back the dancers came." Revisions in pencil. See a transcription at the Transcriptions link in left margin.

12 Verso) &nbsp;Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

12 Verso)  Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

13) "FAREWELL PERFORMANCE. Program ended." Revisions in pencil.

13) "Program ended." Revisions in pencil. See a transcription at the Transcriptions link in left margin.

13 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

13 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

14) "A FAREWELL PERFORMANCE. Gala ended." Revisions in pencil and ink."

14) "A FAREWELL PERFORMANCE. Gala ended." Revisions in pencil and ink."

14 Verso) &nbsp;Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

14 Verso)  Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

15) "FAREWELL PERFORMANCE." Revisions in ink.

15) "Facing our planché." Revisions in ink.

15 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

15 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

16) "<em>yours was what today</em>." Revisions in ink and pencil.

16) "yours was what today." Revisions in ink and pencil.

17) "(pity, dread)." Revisions in pencil.

17) "(pity, dread)." Revisions in pencil. See a transcription at the Transcriptions link in left margin.

18) "Gala ended." Revisions in pencil and ink.

18) "Two [word] back Suzanne comes." Revisions in pencil and ink. Final stanza pasted in.

18 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

18 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

19) "Gala ended." Revisions in pencil.

19) "Gala ended." Revisions in pencil.

19 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

19 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

20) "You, it seems, too strictly observed these bodies." Revisions in pencil.

20) "You, it seems, too strictly observed these bodies." Revisions in pencil. See a transcription at the Transcriptions link in left margin.

20 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

20 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

21) "<em><span style="text-decoration: underline;">Bravo</span>! we tell them</em>." Revisions in pencil.

21) "Bravo! we tell them." Revisions in pencil. 

22) "Gala ended."   Revisions in pencil.

22) "Gala ended." Revisions in pencil.

23) "Gala ended." First stanza pasted in. Revisions in pencil and ink.

23) "Gala ended." First stanza pasted in. Revisions in pencil and ink.

23 Verso) &nbsp;Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

23 Verso)  Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

24) "Gala ended." Revisions in pencil.

24) "Gala ended." Revisions in pencil.

24 Verso) Pages from Rachel Hadas, <em>Form, Cycle, Infinity</em> (1985).

24 Verso) Pages from Rachel Hadas, Form, Cycle, Infinity (1985).

25) "<em>Gasping, dripping . . . they beg forgiveness</em>." Revisions in pencil.

25) "Gasping, dripping . . . they beg forgiveness." Revisions in pencil. See a transcription at the Transcriptions link in left margin.

26) "Gala ended." Revisions in pencil and ink.

26) "Gala ended." Revisions in pencil and ink.

27) "Gala ended." Revisions in pencil.

27) "Gala ended." Revisions in pencil.

28) "You caught like a fever from them." Revisions in pencil and ink.

28) "You caught like a fever from them." Revisions in pencil and ink.

28 Verso) List of poem titles for <em>The Inner Room</em> (1988).

28 Verso) List of poem titles for Merrill's The Inner Room (1988).

29) "Gala ended." Revisions in pencil.

29) "Gala ended." Revisions in pencil.

30) "<em>Worked the spell</em>." Revisions in pencil.

30) "Worked the spell." Revisions in pencil.

30 Verso) Unidentified Poem.

30 Verso) Copy of Rachel Hadas, "Speaking in Tongues," Slow Transparency (Weselyan 1983).

31) "Art. It cures affliction. 2 x 86." Revisions in pencil.

31) "Art. It cures affliction. 2 x 86." Revisions in pencil.

32) "Art. It heals all ills." Manuscript in pencil.

32) "Art. It heals all ills." Manuscript in pencil. See a transcription at the Transcriptions link in left margin.

32 Verso) "Prose of Departure" from <em>The Inner Room</em> (1988).

32 Verso) "Prose of Departure" from Merrill's The Inner Room (1988).

33) "<em>Nowhere. Gasping, dripping</em>." Revisions in pencil.

33) "Nowhere. Gasping, dripping." Revisions in pencil.

33 Verso)  Photocopy of Rachel Hadas' poem "Wish Granted."

33 Verso) Copy of Rachel Hadas' poem "Wish Granted,"  Slow Transparency (Weselyan 1983)

 

34) "Art.It cures affliction." Revisions in pencil.

34) "Art. It cures affliction."

35) "FAREWELL PERFORMANCE" with "1986" added in pencil.

35) FAREWELL PERFORMANCE. "1986" added in pencil.

Select an image to view and enlarge text. The manuscripts are in the order Merrill placed them in before sending to Special Collections, Washington University. 

To read transcriptions of the texts, see the "Transcriptions" link in the left margin. To compare the transcriptions to the originals, open another page to the manuscripts in your browser. Please send any suggested revisions of the transcriptions to Timothy Materer.